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he powerful and the powerless, between men and women, between ethnic groups, between the State and the people.   They examine social and political issues, the use and abuse of power, the meaning of justice, the complexities of human nature and the desires of the human heart. 
这两部虚构的电视剧的主题都是关于犯罪，以真实的社会为背景，见证美国社会的实况。它们叙述了贫富、男女、种族、权利以及国家与人民之间的相互影响，焦距社会与政治问题，观察权力的使用与滥用。它们涉及正义的意义、复杂的人性与欲望。
They have been compared to the novels of Charles Dickens and to the films of Roberto Rossellini and Costa-Gavras. They have won many awards and generated much controversy.
有人把它们比作狄更斯的小说，或者罗伯托•罗西里尼（Rossellini）以及科斯塔斯•加夫拉斯（Costa-Gavras）的电影。它们得了许多奖，也引起了不少的争议。
 "Law and Order" has been on the air for 20 years, and "Criminal Intent" for nine years.  We have produced over 600 one-hour episodes that are broadcast on television in over 150 countries.  As for my own role, as Head Writer, I develop, write or rewrite every episode - and as Executive Producer, I provide the creative direction for the series.
《法律与秩序》播了二十年，《犯罪故意》播了九年，一共600多集，每集的长度为一小时，分别在150个国家播映。我身为主笔，除担任策划、创意与对每一集的修改定稿外，同时还兼任执行制片人，每一集的创意方向均由我主导。
And when I was a film student thirty-five years ago, none of this is what I saw myself doing with my life.
35年前，当我还是个电影系的学生的时候，我完全没想到我现在做的一切是我这辈子会去做的事情。
I didn''''''''''''''''t want to do television.  I loved film.  I loved the films of the French New Wave and the Italian Neo-Realists, my models were films like "The Battle of Algiers" and "Z", the American films of the 1970s - "Dog Day Afternoon", "The Godfather" and "The French Connection", "Taxi Driver" and "Raging Bull".  I wanted to write and direct these kinds of films.  I knew I definitely didn''''''''''''''''t want to do television.
我爱的是电影，压根儿就不想干电视。我爱法国新浪潮和意大利新写实派的影片，《阿尔及尔之战》（《The Battle of Algiers》）以及《Z》是我心目中电影的典范。此外还有70年代的美国电影，如《正午》（《Dog Day Afternoon》），《教父》（《The Godfather》）、《法国贩毒网》（《The French Connection》）、 《出租车司机》（《Taxi Driver》），《愤怒的公牛》（《Raging Bull》）等等。 我就想编导这一类的电影，我知道我绝对不要干电视。
Back then, my goal as a young writer, as a story-teller and film-maker was to be fully engaged in society. I wanted to be in the world and of the world. I wanted to use my art to bear witness to my times.
当时，我这个青年写作家、说书人和电影制片人的目标，是全身投入社会积极入世，我要用我的艺术做时代的见证人。
In university, I wrote short stories and a novel, I experimented with photography and 8 mm film, I made experimental videos and documentaries.  I learned from my mistakes. I studied communications theory, film criticism and propaganda -- I even wrote a term paper on the Chinese opera "The Red Lantern" 红灯记. I made short films and learned every aspect of film-making.  I even got part-time jobs on feature films and commercials while studying for my degree.
在大学时代，我写过一些短篇小说和一部长编小说，玩过摄影及8厘米影片，也试验过录像与纪录片，从自己的错失里学到了不少。我研究过通讯理论、电影评论及宣传，我甚至写了一篇关于《红灯记》的论文。我拍了一些短片，还研究过有关制片的各项知识，在拿到学位前已经在一些电影和广告中做过临时工。
I was immersed in film and communications for four years. But I''''''''''''''''m not sure any of it prepared me in a useful way for a career as a film-maker.
我在电影及通讯课里泡了四年，但我却说不好这对我后来的制片生涯有多大的帮助。
As I think back to my university days, I realize I learned the most important and practical lesson, not from my professors or a film or a book, but from the man responsible for giving out film and video equipment to the students.
回想大学那些日子，学到最重要、最实际的一课，并非来自教授、电影或书本，而是来自一个负责给学生发电影及录像器材的一个人。
His name was Victor.  Victor had one answer every time a student asked him for a camera or a lens or a microphone.  No.  That was always his answer.  No.  No, you can''''''''''''''''t have a camera, it''''''''''''''''s late and I''''''''''''''''m going home.  No, you can''''''''''''''''t have a lens, they are being cleaned.  No, I''''''''''''''''m going to lunch.  No, I''''''''''''''''m tired and I''''''''''''''''m going to take a nap.  No, no, no.
他叫维克多，每次学生问他要摄影机、镜头或扩音器，他总是说不行。不行，没摄影机给你，太晚了，我得回家去；不行，没镜头给你，它们还没擦好呢；不行，我现在要吃饭；不行，我累了，要歇一会儿；不 zNecie Paradingexposedfemaledirectors Ar Wholesale Nike Dunks SB Shoes Parading Exposed Female Directors Female 扇门：作者要学会满饭.教育-中央术院美术馆x Parading kNecie Paradingexposedfemaledirectors Ar Wholesale Nike Dunks SB Shoes Parading Exposed Female Directors Female 扇门：作者要学会满饭.教育-中央术院美术馆e Parading Parading Directors Directors